The reason why the brick is the national brick, one in its weight shape, the second in its origin. In the past eight years, although domestic portable players have produced a lot, there are only a few of them that can be labeled as "national bricks." Gradually, the national brick has specifically referred to those flagship products that can represent MADE IN CHINA and can compete with international brands. Such as Colorful C4, HIFIMAN 801 901, Dry Longsheng QA360 and so on.
The most typical example is estimated to be the colorful C4, which has been sold for eight years since it was listed in 2008. Regardless of the controversial shell of walnut, after all, everyone has a different aesthetic, but C4's classical, balanced voice is the country. Brick is the representative.
Lotto PAW GOLD (hereafter referred to as "Golden Chrysanthemum") is called "Golden Chrysanthemum" by many fans. In the all-aluminum CNC housing, the five-dimensional master button, power button and volume knob are all made in gold, right! That's right! It is gold. It is the golden color that few products on the market will choose. In addition, the texture on the five-dimensional key is also very much like a blooming chrysanthemum.
In addition to this golden chrysanthemum that makes people uncomfortable at first, PAW GOLD is meticulous in the overall body's CNC process. The color scheme is not pure black or gray-scale color. It shows a faint blue-purple under natural light (color number Around 412d4a). The damping of the keys, the keystrokes and the sense of confirmation all fall within the level of the price.
Gold chrysanthemum is a very rare portable player with USB 3.0 connection interface on the market. This USB interface is backward compatible with USB 2.0 and can also be directly charged. Next to the round interface is a 12V 1A charging port, random charger with an original charger. Jin Chrysanthemum itself supports the decoding of DSD 256-bit files, and provides a more ATE/PMEQ sound system for the more playable options in the audio configuration. The ATE system can be paired with different headphones by updating Golden Daisy. The system itself has specific tuning for the 701 and 990 headphones. The PMEQ performs filter adjustment for each frequency band and can perform overlapping operations.
The interface of Golden Chrysanthemum is not too much, there is only one 3.5mm headphone output, and a 3.5mm linear output has a total of two interfaces. There is also a high and low gain switch and the HOLD lock key. Different from the current 3.5mm + balance + coaxial input and output on the market, Gold Chrysanthemum is just a player, it can not be used as a simple decoding device, it can not be used for balanced headphones. For a million-dollar state-owned brick, it is always felt that they cannot afford the scene.
Looking around at home for a week, in addition to the old Sennheiser HD555 and AKG K240 MKII, there is no real headset that matches the gold chrysanthemum at the price point. Especially HD555 partial movie entertainment, AKG K240 MKII partial monitor. So still borrowed a Bodhidharma D1000 to test the golden chrysanthemum sound level.
D1000 connector can be changed with wire design, it is estimated that the wire party can toss for a while
Subjective listening part:
When it comes to subjective listening, I think it is necessary to emphasize the personal listening habits. Because listening habits will have a very large subjective impact on a set of vocal systems. Since I was 7 years old, I have been attending HIFI exhibitions in Guangzhou with my father. Now it has been 20 years in the past. I don't have much interest in the system for catching ears. There are two things: The first is the system for scratching the ears. There will be deviations in the tuning of the sound, or prominent vocals, throat sounds continued. The second reason is that such a system is not very resistant to hearing, and it's easy to scratch your ears. It's particularly easy to get tired for a long time. It is more worthwhile to have equipment that is balanced, listenable, and at the same time can be gradually explored in all aspects.
So on the audition of gold chrysanthemum, I chose two tracks of Hugo's fever dish four, one with red berries blossoming and the other with autumnal hate. Both are 16-bit 44.1kHz CD ripping WAVs (never forcing the format). Dharma's D1000 should have guaranteed 200 hours of downtime.
I can only say that the "System" of the D1000 with Golden Chrysanthemum is a full monitor style! According to truth, the tuning of Jin Chrysanthemum belongs to the category of tri-band equalization and the frequency band is excessively fluent. It neither highlights vocals nor highlights high-frequency instruments or low-frequency dive. However, D1000's voice is a bit harsh, the pursuit of details is a bit too, so that the "system" to give people feel too prominent in the details and musical instruments, voice is slightly prominent, positioning is not too forward, the sound field to create a spacious and accurate .
Later, I again tried Golden Chrysanthemum with my own CYGNUS plug. CYGNUS is a flat-headed plug remanufactured by Mori PK1. Apart from the need to reduce the thrust, there is not much difference with the PK1 (I do not fit into the earplug). Switching to L gain will promote CYGNUS. In terms of sound, CYGNUS has the same orientation as PK1 and is equally suitable for large-scale and light music. Compared to the performance of the D1000, CYGNUS was less serious about listening, but it was a bit more leisurely.
The relationship between gold chrysanthemum and C4, I personally feel more like the relationship between the stone machine and the amplifier. The latter used a silk capacitor as a supplement to tune out the soft, long, delicate and rich texture of the amplifier. After all, the age is already high. The lack of support for DSD has also made it more prosaic. The former, on the other hand, shows the high level of dynamic control, sound field construction and detail reproduction of the stone machine. It cannot be said that they are better, they can only say that they all represent the two different sound orientations of the country.
There is a saying in the circle that buying fans like C4, Gan Longsheng, and Jin Chrysanthemum is just like buying a mobile phone with a hammer. It's good to know it, but it never shows off. Imagine that it seems to be the case that the recent participation in the HIFI Headphone Show in Guangzhou has also been demonstrated. I have long sighed and saw users picking out various types of Avery, Feiao, Kaiyin, and lack Can not see the country brick figure. Perhaps people who know it well are more restrained and more likely to enjoy the sound of pleasing their own ears than to care about others’ opinions and evaluation.
Finally talk about some small problems of gold chrysanthemum
1, body heat: the machine in continuous use for about 1.5 hours, reached the maximum temperature. Touch about 42 degrees Celsius. The apparently felt temperature buildup is not friendly to the interactions during use.
2, the screen is not exquisite enough: this can only be said that the benevolent see the wise see wisdom. For Chrysanthemum, this screen is enough to support all the functions of the machine, and the accuracy of the output meter is also relatively high, that is, the screen graininess is too obvious, which is incompatible with the existing high-tech production level.
3, the weight is too high: the volume is not large gold chrysanthemum actually has 280g, higher density, has exceeded the C4. Close to the weight of two, if you walk in your pocket, it's an exaggeration to walk!
The reason why the national brick has become a national brick is that it has the sentiments and dedication of the people in the pursuit of sound. . . . . . .
~~~~~~~~~~TOLO
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